Advice to a young comics writer

Something you may wish to keep in mind as you embark on a career of a comic book writer, particularly if given the relatively rare chance to work on one of the premiere characters from one of the premiere publishers in the North American comic book industry, is that in our era of 24/7 social media immersion, you should probably be careful regarding what you say, who you say it to and how you say it.

I don't mean this in some sort of "Watch what you say!," speech- or thought-policing kind of way. I'm not in law enforcement, government or any position of authority...or even gate-keeping. But I am a guy who reads comic books, I'm a guy who buys comic books and I'm a guy who writes about comic books a lot, which often includes a degree of suggesting to others which comic books they should read and which they shouldn't read.

Despite being on Twitter and Facebook and having a blog, I'm not terribly engaged with social media, and didn't have any idea who you were, or that you even existed, until I read the first issue of your new comic book series a month or so ago. So I imagine you must have been saying some very incendiary and/or offensive and/or dumb things on social media of late, because every time I check Facebook, another person on my friends list is complaining about the apparently noxious things you've been saying lately, and even people I know in real life are talking to me about it in real life.

That's not real great PR for your just-launched comic book series, and  if you plan on making a career out of writing comic books, it's probably best to be known as The Guy Who Wrote That Really Good Comic Book Series and not The Guy Who Said a Bunch of Dumb Stuff on The Internet and Pissed Everyone Off. Because that perception does matter; I mean, I still don't really know who you are, and haven't read your comments myself, but I did read that first issue of your comic book series and liked it a lot. I was looking forward to reading the rest of it. I'd prefer to think of you as a comic writer and not some Internet troll, but when trollish comments outweigh your comic book output, that can become a challenge. (And, again, I'm just an extremely-engaged reader and semi-professional critic; while you don't want to piss off too many readers, as it will effect the sales of your books, you certainly don't want to piss off comics retailers, fellow comics writers, comics artist and publishers, as you'll find yourself out of work pretty quickly.)

Now if you're just doing your own self-published thing, hell, rant away. But if you're working on a corporate-owned, iconic character, with a variety of excellent artists, for a major publisher, mouthing-off idiotically has consequences for people other than you personally. If sales on your book take a hit, it affects the artists you are collaborating with, as well as the other people involved in every aspect of creation of the book. And if you become The Most Hated Man In Comics, well, you're not exactly rewarding the publisher's faith in you, as they took a risk granting such a high-profile book to a complete novice. Besides, the book you're working on started out very good, and so far at least seems to be the sort of book that would make for an excellent, evergreen collection that the publisher could keep in print and selling for pretty much forever, which means royalties for you and you collaborators for pretty much forever.

Now, it's certainly not impossible to make huge swathes of the comics industry hate you while still having a successful career in the field--there are tons of unlikable, even loathsome people in this industry making a living doing what they love!--but they tend to have a whole body of reliably high-quality work they can fall back on to prove that their current and future work is worthy of attention no matter what you might think of them personally, or, at the very least,to have  a huge fan-base to support them and their current and future work when the rest of the world turns their backs on them.

You might want to keep more loathsome opinions to yourself when you're just getting started or, if you feel the need to tweet about these opinions, at least do so between major comics projects, rather than directly on the heels of your very first issue. Retailers should just now be starting to place orders for the second half of your new series, after all.

That, or you can always try to find work in another entertainment industry where one can be a terrible human being and still make a decent living with little in the way of achievement to their name, regardless of how many people despise them. Maybe try  filmmaking...?