
Since then, the second issue came out, and I liked that one too.
One thing that I didn't mention yet is this one panel on page 30, featuring one of the four lead characters riding on an airplane. Here's the relevant part of the panel:









I should note that I'm not really criticizing Gulacy here. The characters all look as much like Paul Gulacy drawings as they do any particular celebrities, and if he did use photoreference for the designs and drawings, he did draw all of the characters...it's not like he used computers to electronically lightbox or trace the first hit he found for "Brad Pitt" on a Google Image search. The artwork is all pretty organic, and not at all Greg Landular. On the other hand, I suppose it was at least a little bit distracting, as I did devote some of my brain for looking for Kanye West-ishness or Lucy Liu-ocity here and there.
If there's a right way and a wrong way to (apparently) use photoreference and celebrity likenesses to create comic book characters, Gulacy seems to be doing it the right way. I can't say the same for Leonardo Manco, the artist working with writer John Heffernan on Radical Comics' Driver For The Dead.

Part of the problem was the "casting" of folks like Morgan Freeman, who was "playing" the character Moses Freeman in the first issue, and whose body is the maguffin our hero has to transport in this issue.

I managed to slog through those pages, eight through ten, before landing on page 11, wherein we're introduced to a magical fortune teller type lady named Aunt Sadie. A woman who, if I'm not crazy and/or just imagining things, is apparently being played by actress Mo'Nique, whether actress Mo'Nique knows it or not.
Check it out:







And here's a photo of Mo'Nique, if you're unfamiliar with her work (Precious, Domino, Shadowboxer, etc):

3 comments:
Gulacy has always "cast" his books, going back to Master of Kung Fu. It's usually fine, but some of his Keaton Batman swipes in the '90s were too clearly referenced from heavily circulated promotional stills. I love his work, though.
Six From Sirius is one of the greatest things in the history of ever. That's the first thing that I think of every time I see Gulacy work.
And secondly, as long as it isn't lightboxed porn stars or Eminem, I'm fine with it.
That top "Mo'Nique" picture was clearly lifted directly from the photo you put at the bottom of the post. So no, it isn't just you.
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