Since there's no way my words about how cool some of the panels in Steve Niles and Kelley Jones' Batman: Gotham After Midnight #1 were can possibly communicate that coolness as effectively as seeing them for yourself, please enjoy some examples of how cool some of the panels in Niles and Jones' new Batman limited series....
Here's a Scarecrow-inhales-his-own-fear-gas-scene:
That's some scary stuff, right there. Those little Batmen just freak me right the hell out.
Here's the interior of the Batcave, missing some details and slightly lopsided, because I'm not all that great with a scanner:
I like the cathedral-like feel to it, the gothic and baroque look of the technology, and the way some of the science-y looking stuff looks more like stained glass windows.
Also, this compares quite favorably to the Batcave we saw in Grant Morrison and Tony Daniel's Batman this week (I didn't bother to scan it, but there's one panel in which Batman is perched upon some kind of smooth metallic pyramid that doesn't make any sense at all until you turn a page and realize Daniel was apparently trying to draw a metal precipice of some sort). In the background, you can see the foundations of Wayne Manor. It's exaggerated as all get-out, but the architecture works...at least in a way that's consistent with Jones' aesthetic. Would those columns bear the load of a mansion? I don't know, but they look like ones that conceivably could, and that's all that matters.
The bat-computer looks like something that scary organ music should be coming out of:
It looks pretty hard to use, too:
Here's the drawing of an exterior I mentioned in my Weekly Haul review of the issue.
I love how much is going on in this panel (which I've badly scanned), and the amount of wires in the sky especially.
Here is the biggest goddam cape I've ever seen:
Look at the size of it! Imagine how inadequate Spawn would feel if he were in the same panel as Jones' Batman. Jones has always drawn a big cape on Batman, usually somewhere between the length of a bridal train and the length of a freight train, but it just seems to get bigger and bigger. By the time #12 of this series comes out, they mave to do a six-page fold-out like Jim Lee's All-Star Batman Batcave scene just to fit Jones' cape into the issue.
Finally, a detail that may only be of interest to me and whatever north east Ohioans and western Pennsylvanians happen to read this blog. When I first moved to Pennsylvania in the late-nineties, I used to sometimes hang out at a chain restaurant called Eat'n Park, which was your basic Denny's-like, breakfast-at-all-hours chain cafe type place. In general, they tend to look like this:
The climax of this issue takes place at a place called Eat'n Park, and the Gotham location isn't nearly as nice: