Tuesday, July 21, 2015
DC's Power Couple vs. The Suicide Squad
In the case of Superman, he was publicly outted as Clark Kent, he got a new haircut, he traded in his old costume for t-shirts so tight they might be body paint (if Paulo Sigueira's cover to the issue is anything to go by) and he was vastly (if ambiguously and mysteriously) depowered.
In the case of Wonder Woman, she got a new outfit.
This first story arc is called "Dark Truth," and it is written by Peter Tomasi and drawn by pencil artist Doug Mahnke and a bunch of inkers (four of 'em in issue #18, but just one in #19). In part one, we find Wonder Woman in Superman's bed, wearing his Superman t-shirt (which fits her like a dress), stroking her sleeping Man of Steel and reminiscing about their relationship thus far.
Awoken at 3 a.m. by a phone call from Lana Lang that gets cut off suddenly, the characters suit up and fly to Smallville to investigate.
A furious Superman calls out whoever is doing this, and a blast of machine gun fire heralds the appearance of The Suicide Squad, who Mahnke draws over a two-page splash, so I'll only show the right half.
Superman and Wonder Woman give them dirty looks on the last page–another splash!–and Superman uses the H-word.
The fight actually lasts 8-10 pages, although two of those pages are devoted to a two-page splash showing the two opposing sides rushing at one another.
I am immediately unimpressed with supposed master marksman Deadshot, who has three shots of his blocked by Wonder Woman's bracelet, and the ones she doesn't block just bounce harmlessly off of her new shoulder pad (I guess it's a good thing she just started wearing shoulder pads!).
Wonder Woman quickly redeems herself by breaking a tombstone over Deadshot's head (ow!), kicking Reverse Flash in the face (even if he didland a few punches before she did) and then clobbering Reverse Flash with Captain Boomerang, who she is swinging around by his stupid scarf (Who wears a knit cap, scarf and overcoat in Kansas in July, anyway?) and, finally, pulling Harley off of Superman and punching her silly.
While Black Manta and Superman have a test of strength that gets broken up by the former's eyebeams, Deadshot again proves to be bad at shooting targets, while Wonder Woman simultaneously proves to be bad at blocking bullets with her bracelets.
She still has her magic lasso of truth, but she uses it mostly for entangling and strangling people.
But before either of our heroes can remember that Wonder Woman carries a magical polygraph device with her at all times, Deadshot wakes up and starts shooting wildly at them.
He is so bad at shooting:
I mean, he hits Superman a lot, but not, like, in the eye or mouth or forehead, and not in the same place repeatedly, just sort of all over the place. He brags about his "homemade high-velocity armor-piercing shells," but they don't actually seem to do too much damage to Superman, seemingly afflicting him the way a bunch of bees might affect you or I–they hurt him, they stagger him, but they don't grievously wound them, or even tear his shirt.
Wonder Woman than throws Deadshot into a tree, grabs Superman, and files away with him, leaving the Smallville cemetery littered with unconscious super-villains.
I guess Superman is weaker, but still bulletproof...?
Anyway, this is a very well-drawn pair of issues, but I'll be damned if I can make heads-or-tails of what's going on with the Superman franchise at the moment. I wish they would have let "Truth" play out in Superman and Action before we started seeing this new, weakened Superman showing up in Batman/Superman, Martian Manhunter and this title (and maybe some other places I haven't noticed), as it's not really clear what his deal is yet.