Given that Superman and Action Comics share the same editor in Eddie Berganza, it's not a coincidence that both titles began their new, "Rebirth" era runs by telling pretty much the exact same stories. In the pages of Superman, Superman has been battling against a threat made popular during the "Death of Superman" era of the franchise that is bound and determined to do harm to his wife Lois and son Jonathan. In the pages of Action, Superman has been battling against a threat made popular during the "Death of Superman" era of the franchise that is bound and determined to do harm to his wife Lois and son Jonathan. In the former, it's The Eradicator, in the latter, it's Doomsday.
It's not a coincidence, but it is a decision I can't really understand.
Of the two books, Superman has told that story in a far better fashion, and it helps that creators Peter Tomasi and Patrick Gleason have determined goals they accomplish in their too-long, six-issue arc. That is, they want to demonstrate that through his feats here, the new (old) Superman has convinced the public that he is indeed the "real" Superman, and, further, to introduce Jonathan as the new Superboy. (In Action, meanwhile, writer Dan Jurgens has been teasing a mystery, as both the new/old Superman and a Clark Kent are present in the same place at the same time throughout much of the story, and the Mr. Oz character lurks in the background, talking cryptically to himself).
The art in Superman is just really, really good too. That in the sixth issue comes courtesy of pencil artist Patrick Gleason, inker Mick Gray and colorist John Kalisz. I thought there were four extremely striking images in the book.
First, there's this bit of body horror. The deal with this version of The Eradicator is that he has sucked in the souls of all the dead Kryptonians, and now wants to "eradicate" Jonathan, whose Kryptonian DNA is tainted by Lois Lane's contribution to his genetic make-up. Superman wants to stop him from eradicating his son. So they've been fighting for like 100 pages or so.
At various points, Superman is able to convince the Kryptonian ghosts to stop power-ing up The Eradicator and help him and, as their fight reaches it's climax, Superman opens The Eradicator's mouth and shouts into it, calling for his dog. In the next panel, Krypto starts to emerge...as a giant fucking st of canine mouth pushing up through The Eradicator's S-shield.
I don't mind telling you I found this image to be deeply terrifying, as well as just plain weird (Why didn't Krypto just come out of his mouth? Burst through his chest? Why is his gaping maw so gigantic as he tries to push his way out? Why does it look more like The Eradicator's chest is turning into Krypto's snout and mouth than that the super-dog is trying to force his way out?)
Then there's this rather delightful image. Superman encourages to Krypto to bite down on his arm through the stretched skin of The Eradicator, and then just pulls him through. I've stared at this panel for long minutes on several different occasions, and there's no way around it: Gleason drew Krypto upside down, as a comparison to the position of his jaws on the previous page makes clear.
No matter. I love the fact that Krypto is upside down here. It's every bit as weird as the previous image, but not as scary. I just imagine Krypto rotating around Superman's forearm there.
After man and dog team up to finish The Eradicator, Superman takes his fallen foes cape and ties it around his dog. Huzzah, a more "classic" conception of Krypto has returned to the DC Universe, after the saber-toothed dire wolf version seen early in the New 52.
Finally, there's this perfect ending splash page, in which Superman introduces his son to the other two points of the trinity.
I love this page so much. The expressions on all four characters' faces are all perfect and, at least in the case of the three I know best, perfectly suited to what one might expect their faces to look like in that situation.
If you read just one six-issue story arc about Superman battling against a threat made popular during the "Death of Superman" era of the franchise that is bound and determined to do harm to his wife Lois and son Jonathan this year, I'd recommend you make it the first six issues of Superman.
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Tomasi and Gleason have been one of my favorite creators ever since they teamed up on Green Lantern. Pat Gleason is an...amazing artist!
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